tag:blogger.com,1999:blog-29633250.post3827201268689524850..comments2009-08-27T06:53:47.570-06:00Brian Hugheshttp://www.blogger.com/profile/11270291609706808920noreply@blogger.comBlogger5125tag:blogger.com,1999:blog-29633250.post-5598973202391853872009-08-26T23:05:50.182-06:002009-08-26T23:05:50.182-06:00I love these wonderfull stories from Alan Moore Future Shocks. I hope you post more up.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-29633250.post-30873825649942907482009-07-08T06:29:04.850-06:002009-07-08T06:29:04.850-06:00And this is an obvious early stab at some of what would eventually mutate into THE BIRTH CAUL. All the way down to the structure.jlrobersonhttp://www.blogger.com/profile/10392794912432288906noreply@blogger.comtag:blogger.com,1999:blog-29633250.post-89709322220239174542009-05-31T12:04:54.692-06:002009-05-31T12:04:54.692-06:00Wonderful economy to the story, indeed. Thanks for sharing this!Joe Crawford (artlung)http://www.blogger.com/profile/11657704543719878988noreply@blogger.comtag:blogger.com,1999:blog-29633250.post-21277413867525121632009-05-27T12:25:30.416-06:002009-05-27T12:25:30.416-06:00Also done in Martin Amis' TIME'S ARROW and the Backwards episode of RED DWARF (which was the funniest iteration). The problem with the premise is as Alan Moore shows, you can do it in FOUR PAGES and you say the same things that, for example, the screenwriter of BENJAMIN BUTTON take 2 1/2 hours to say.ALFREDhttp://www.blogger.com/profile/00478490594772879171noreply@blogger.comtag:blogger.com,1999:blog-29633250.post-16779022234124587482009-05-27T11:29:00.870-06:002009-05-27T11:29:00.870-06:00So apparently Alan Moore read Philip K. Dick's COUNTER-CLOCK WORLD...buzznoreply@blogger.com